I wore gloves to walk up to the university campus this afternoon. I’d be lying if I said they didn’t help. I’d also be lying if I said my hands felt good.
The wind from the north is piercing. And it promises worse to come. I would know that—even if the wannabe celebrity weather people weren’t shouting the news of the coming winter storm at the top of the Internet’s voice.
The volume of wind was shocking to the face and lungs as I walked toward my goal, struggling more for breath, perhaps, than most. It cut right through my thin gloves and coat with bone-chilling directness, leaving pain and immobility in its wake.
I didn’t think I’d play the piano this afternoon. My fingers were stiff, and a couple of the joints hurt long after I wrapped them around the bowl of warm soup prepared for my lunch.
But my mind has been working on a theme today—a theme of the Father’s love and provision. And, there’s a tune I know…
So I sat at the piano and worked my way—painfully at first—through the notes and chords. It’s a piece I’ve heard most of my life. I played this particular arrangement when I was twelve or thirteen years old, not knowing there were words that went with the tune.
You might know it as Londonderry Air. Or, as Danny Boy. Perhaps (if you were a member of a school band), you know it as Irish Tune from County Derry.
But me—I’m from a church-going background, the son of a (then) lay pastor. We learned church songs. Hymns. Maybe a new song or two from Bill Gaither, or a Southern Gospel Group.
I heard the first words that I knew went with this tune as a teenager. Dottie Rambo wrote them.
“Amazing grace shall always be my song of praise,
For it was grace that bought my liberty.
I do not know just how He came to love me so.
He looked beyond my fault and saw my need.
I shall forever lift my eyes to Calvary
To view the cross where Jesus died for me.
How marvelous the grace that caught my falling soul!
He looked beyond my fault and saw my need.” *
When my oldest brother and I played an instrumental version of Dottie’s song in a piano/organ duet in a morning worship service, I couldn’t understand why one man approached me after the service and wanted to know why we were playing a secular song like Danny Boy in church. In retrospect, I agree it is a bit difficult to make out what lyrics are intended to be communicated when just an old grand piano and a Hammond organ are playing the tune and harmony.
It wasn’t until I was a young adult that I learned the lyrics to Danny Boy, and even later, that I understood the words were from a father to his son, going off to war with little hope of his returning.
“Oh Danny Boy, the pipes, the pipes are calling
From glen to glen, and down the mountainside.
The summer’s gone, and all the roses falling.
It’s you, it’s you must go, and I must bide.
But come ye back when summer’s in the meadow
Or when the valley’s hushed and white with snow.
It’s I’ll be here in sunshine or in shadow.
Oh Danny Boy, oh Danny Boy I love you so.”
If, while you listen to the little tune I’ve recorded, you want to consider either set of lyrics in your head, I have no objection. Truth be told, if you’re thinking about the lyrics, you won’t be listening closely to my stumbling, halting rendition. And that’s okay with me.
Either way, you’ll be thinking of the heart of a father who loves his child so very much and waits with open arms for his or her return.
It’s the heart of a Father who watches and protects us against that day when, all dangers passed and all journeys over, He’ll welcome us into His presence.
He watches and protects against even monster winter storms. And yes, against the occasional twinge of arthritic joints.
And we shall dwell in the House of the Lord forever.
“So he got up and went to his father. But while he was still a long way off, his father saw him and was filled with compassion for him; he ran to his son, threw his arms around him and kissed him.” (Luke 15:20, NIV)
© Paul Phillips. He’s Taken Leave. 2026. All Rights Reserved.
*He Looked Beyond My Fault; words by Dottie Rambo, copyright 1968 Designer Music
